My Haystack Adventure

photo by Nancy Merrifield

So, a dream for a long time, for me, was participating in a workshop at Haystack School in Deer Isle, Maine. I had heard for years about the beauty of the location, the wonderful, inspiring workshops, and the food!

I always hesitated, feeling I wasn't quite ready for it - honestly, I'm just not that serious a person, but I am passionate about ceramics. So I have been waiting, watching the workshop offerings, looking for a good fit. And, lo and behold, the year 2011 offered a perfect fit for me - 'When Animals Go Tactile' with Bernadette Curran, an artist I have admired for many years. Her work is so fresh and alive, it seemed like a perfect tonic for a potter who wanted to recharge and refresh. Lucky me, I applied, a place was reserved, and I just finished with two very inspiring weeks there.

Bernadette demonstrated some wonderful techniques - more, really, than I could keep up with. So it was a relief to get the assignment to design a 'setting'. I designed a breakfast set, for one, maybe two...salt&pepper on a tray with a jam pot, a plate, a cereal bowl with an egg cup for a knob...you get the idea - me going a little too far, but having a great time! I tried to bring the animal imagery into my setting, with the tray having a fence in the middle, the salt&pepper as chicken &egg,




the butter dish as a barn, which was a direct copy from Bernadette's demo (yellow birds courtesy of Nancy Merrifield!)...I made sure everything was labeled 'Haystack' so I will keep it as my workshop 'notes'.



                                                                                

I would recommend that anyone looking for a two-week immersion of studio time check out the current offerings for Haystack, and I think that next summer's offerings will be announced in January.

photo by Marsiella Catanoso

I'm totally a ceramics person, but I have to say that a visit to the fiber studio was magical! Each participant had built their own little kingdom, and produced some awesome work. And a highlight of the visits to other studios was the blacksmith's shop performance of 'inflating' their pieces.

And one more note - I think that the people who make the long trip up to the coast of Maine, to spend two weeks immersed in their personal passion, whether they are teachers, studio artists, or someone with a very serious 9-5 profession, are a charmed group. Everyone seemed totally delighted to be hanging out with each other. Everyone had an interesting story. Many were able to find someone with a very specialized expertise that could help them through a tricky technical problem. And the geographical diversity of the participants was amazing! It was all I thought it was going to be, plus more. I'm very glad I stepped outside my comfort zone to attend.

our wonderful group of potters!       photo from Terri Alexandra